Interview/ Shaji N. Karun, filmmaker and chairman of the committee drafting Kerala’s film policy
Q/ As chairman of the committee drafting the film policy, you will play a key role in the upcoming film conclave. What will be the major focus areas of this policy?
A/ The film policy we’re currently drafting covers at least 25 areas, each assigned to specific experts. It addresses various aspects, including the construction of theatres, labour issues, and more. It’s crucial that the policy integrates both social philosophy and technological innovations.
Q/ There are allegations against M. Mukesh, an MLA who is part of the committee. Given that this committee is also responsible for addressing gender issues and creating a safe environment, how do you view his presence on the committee?
A/ He has to decide for himself. I don’t mind if he remains, as his insights as a producer, actor and politician are valuable. However, if he leaves, that space will become vacant in the committee.
Q/ How far have you proceeded with the policy?
A/ The first draft is done. I believe the fifth draft will be discussed at the conclave.
Q/ Is the MeToo wave sweeping through the industry tarnishing its image, or is it taking the industry into a correctional path?
A/ It is something that is happening not only in Malayalam cinema.
Q/ Yes, but this kind of movement is currently unique to Malayalam cinema.
A/ If the same issue is happening in some other industry, like IT or any other area, do you think that it will get such exposure in media? That itself makes you think with a different clarity, no? Because cinema has been reduced to gossip now, not a cultural activity. That’s why it’s [getting] such exposure. If [it was] any other industry, will it get such exposure?
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Q/ But, my question is whether these revelations are pushing the industry to a course correction?
A/ Yeah. Their information, their thoughts and their feelings are added ingredients in the formulation of the film policy.
Q/ What will it add?
A/ Different thoughts. Earlier, there were no rules. When there is an issue, then rules are formed. So, now, the rules have to be recognised.
Q/ Abuses and exploitation are there in every film industry. Do you think the model established by the Malayalam film industry and its film policy could serve as a model for the entire country?
A/ [Yes]. For the entire country. Including technicians. And the people working outside should also cooperate with the Kerala industry.